
How does Ukrainian culture portray inner emotional experiences
Ukrainian culture portrays inner emotional experiences through rich literary expression, folk traditions, music, and art, often emphasizing depth, resilience, and a complex interplay between silence and vocal intensity. Emotional life is deeply interwoven with national identity, historical trauma, and spiritual values, expressed through symbolic and artistic means.
Literary and Poetic Expression
Ukrainian literature, particularly the works of Lesia Ukrainka, serves as a profound medium for exploring inner emotional states. Her poetry and dramas use stylistic devices such as metaphors, similes, and personification to convey concepts like despair, silence, and inner conflict. Silence, in particular, is a powerful symbol—representing both emotional restraint and deep psychological states, ranging from calm and hope to anxiety and pain. In her dramatic poem In the Field of Blood, the emotional turmoil of the character Judas is linguistically objectified through exclamations, rhetorical figures, and authorial remarks involving pauses and intonation, demonstrating how internal suffering is externalized through textual and performative means. Ukrainka’s work reflects a broader cultural tendency to channel personal and collective emotions through poetic and philosophical lenses, often tied to national consciousness and resistance. 1, 2, 3, 4
Music and Performance
Music, especially the legacy of composer Volodymyr Ivasiuk, illustrates how emotional expression in Ukrainian culture has evolved as a form of resistance. During the Soviet era, state-imposed emotional norms suppressed authentic feeling, but Ivasiuk’s Ukrainian-language pop music became a vehicle for emotional authenticity and national identity. After his death, his music symbolized anti-Soviet sentiment and a yearning for emotional and cultural freedom, highlighting how music serves as a conduit for suppressed inner experiences. In opera and stage performance, emotional expression is further amplified through vocal technique, intonation, and physical embodiment. Performers like Ivan Patorzhynsky used emotional and meaningful speech accents to convey the inner world of characters, blending national mentality with theatrical expression. 5, 6, 7
Folk and Visual Art
Folk traditions, including embroidery and ritual practices, encode emotional and spiritual values. The concept of the Home-Field-Temple triad reflects a cultural existential framework where emotional security is tied to land, family, and faith. Contemporary visual artists continue this tradition, especially during wartime, using art to process trauma, express pain, and affirm hope. Projects like the NENKA initiative demonstrate how visual narratives articulate the emotional tension of war, transforming personal and collective suffering into powerful cultural statements. These artistic forms serve not only as personal catharsis but also as tools for national resilience and identity consolidation. 8, 9, 10
Emotional Resilience and Modern Context
Modern studies highlight the psychological resilience of Ukrainians, particularly youth, in the face of war. Emotional intelligence and peer support are emphasized in educational reforms like the New Ukrainian School, which integrates emotional development into learning. Despite high levels of stress, anxiety, and depression reported during the ongoing conflict, cultural practices continue to foster emotional coping and solidarity. This resilience is rooted in a cultural ethos that values emotional authenticity, communal support, and the transformative power of artistic expression. 11, 12, 13
References
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LEXICO-SEMANTIC PARADIGM OF THE CONCEPT OF SILENCE IN THE LESIA UKRAINKA’S LANGUAGE
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Christianity vs the idea of freedom in the language of Lesіa Ukrainka
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Лінгвоексплікація внутрішнього стану героя в драматичній поемі Лесі Українки “На полі крові”
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The Artistic Narrative in Times of War: NENKA project of Ukrainian Visual Artists
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Communicative intentions of modern prose texts in Ukrainian textbooks
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Individual-author neologisms in TSN-ky by Yurii Andrukhovych
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Ukrainian National Dumas: National Perceptions in the Process of Intercultural Communication
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THE EPISTOLARY SPIRITUAL DIMENSIONS OF THE UKRAINIAN DIASPORA ARTISTS
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THE ROLE OF NATIONAL CULTURE IN THE DE-CONFLICITING OF UKRAINIANNESS
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Role of Emotional Factors in Learning Ukrainian as a Foreign Language at Higher School
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FEATURES OF THE CULTURAL TRANSFORMATION OF UKRAINIAN SOCIETY: A SYNERGISTIC APPROACH
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TO SEE A FREE MAN AND DIE? SPECIFICS OF SHARED ADHERENCE TO VALUES IN UKRAINIAN SOCIETY
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THE CONCEPT OF “FAITH” IN YOUNG PEOPLE’S CONSCIOUSNESS: THE PSYCHOLOGICAL ANALYSIS
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SOPHIA ANDRUKHVOVYCH’S “KATANANKHE”: DECONSTRUCTION AND RECONFIGURATION OF THE MYTH OF FEMALE AGING
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“AT THE BEGINNING AND AT THE END OF TIMES” BY PAVLO ARIE: INTERMEDIATIVE ASPECT OF COMPREHENSION
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Psychoanalytic and Existentialist Versions of Don Juanism: Lesia Ukrainka’s The Stone Host
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Dramaturgy of Lesia Ukrainka and European Modern Drama: Text, Context
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Linguistic and Psycholinguistic Aspects of Silence: A Structural Model of Communication
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Ways of Transferring the Internal Speech of Characters: Psycholinguistic Projection
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A linguistic picture of the world and expression of emotions through the prism of expressive lexis
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Emotionalisation of contemporary media discourse: A research agenda