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How can gesture cues enhance Japanese pronunciation training visualisation

How can gesture cues enhance Japanese pronunciation training

Sounds of Japan: Achieve a Native-like Japanese Accent: How can gesture cues enhance Japanese pronunciation training

Gesture cues can enhance Japanese pronunciation training by providing kinesthetic and visual support that helps learners understand and produce the timing and rhythm of Japanese sounds, especially the mora timing, which is crucial in Japanese phonology. Incorporating rhythmic gestures or choreographic movements aligned with speech can improve learners’ awareness, perception, and production of Japanese morae, thereby aiding more accurate pronunciation.

Key points on how gesture cues help:

  • Gesture-based kinesthetic activities can optimize articulation, respiratory control, and rhythmic pacing of speech sounds, leading to improved pronunciation accuracy and speech fluency in Japanese learners. 1
  • Gestures can serve as embodied representations of speech elements, helping learners internalize and retrieve the correct pronunciation patterns more easily. 2, 3
  • Using gestures along with auditory input and visual aids enhances learners’ engagement and retention of pronunciation features. 4
  • Specific gestures that represent Japanese mora structure help learners segment and produce sounds with correct timing. 5, 6
  • Multimodal learning approaches that include gestures positively affect learners’ perception and evaluation of non-native speech, making pronunciation training more effective. 7, 8
  • Combining gestures with pronunciation training in technology-enhanced language learning systems can support better feedback and correction mechanisms. 9

In summary, integrating gesture cues in Japanese pronunciation training supports learners by combining visual, kinesthetic, and auditory modalities, enhancing their ability to perceive and produce Japanese sounds with accurate timing and rhythm, especially important for mastering mora timing in this language. 1, 2, 4, 5

References

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